The Call

Aug 14, 2017 — A “collection of new image-making practices, technologies, and conditions of viewing embody a new era of the cinematic,” writes Holly Willis for the Los Angeles Review of Books. “And right along with these changes, a spate of recent books arrives...

Aug 12, 2017 — The International Jury of this year’s Locarno Festival, presided over by Olivier Assayas and including Jean-Stéphane Bron, Miguel Gomes, Christos Konstantakopoulos, and Birgit Minichmayr, has awarded the Golden Leopard to Wang Bing’s Mrs. Fang—we’ve gathered reviews here. “I’ve been working...

Jul 17, 2017 — “Martin Landau, the tall, intense, sometimes mischievously sinister actor best known for his role in the television series Mission: Impossible and his Oscar-winning portrayal of Bela Lugosi in the film Ed Wood, died Saturday in Los Angeles,” reports Anita Gates...

Jun 27, 2017 — Let’s break the pattern a bit and open today’s entry with the recommended listening first. Karina Longworth’s outstanding podcast You Must Remember This has just returned from a well-deserved hiatus with a new series, “Jean and Jane.” As in Seberg...

May 22, 2017 — “Philippe Garrel has always only needed the barest means to make movie magic,” begins Daniel Kasman in the Notebook: “a beautiful, tragic face, a sad wall to put behind it, a mournful, pensive walk alone on the street. He is...

Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.

Apr 29, 2016 — In celebration of the upcoming centennial of Ingmar Bergman’s birth (the director was born in 1918), Sweden is planning a three-part television series and a documentary about him.

Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.

Oct 25, 2013 — "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...