Split

Mar 11, 2022 — This week’s roundup roams from pre-Code Hollywood to the New Hollywood of the 1970s.

Feb 10, 2022 — The heads of each section discuss the highlights and themes of their selections.

Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Aug 12, 2021 — Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...

May 18, 2020 — It’s hard to imagine Hollywood without Frances Marion. The story of the screenwriter’s career is entwined with the story of Hollywood itself, from its pioneer days to the Golden Age. Part of Marion’s skill as a writer was how her...

Apr 28, 2020 — I first fell in love with Miranda July’s work with her strange, wild, poignant short stories;  her stories led me to her novel  and first two feature films, which I watch so  often that they have over time become spiritual...

Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....

Apr 20, 2020 — This month sees new books by and about Woody Allen, Miranda July, and Michael Snow as well as fresh translations and collections of criticism.