The Criterion Collection
The Daily
May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
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May 14, 2025 — The festival presents new restorations of films by Chantal Akerman, Charles Burnett, John Ford, and James Ivory.
The Daily
May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.
The Daily
May 9, 2025 — Voices come in pairs this week: Jia Zhangke and Zhao Tao, Daney and Rivette, Patrick Bateman and his fans.
The Daily
May 7, 2025 — An absorbing fifty-three-minute meditation on a massive construction project opens in New York on May 14.
The Daily
May 6, 2025 — A two-part, thirty-film retrospective opens in New York before traveling to Berkeley, Harvard, Toronto, and Vancouver.
The Daily
May 1, 2025 — The director of Sambizanga is celebrated with a full retrospective in New York and a free evening of screenings in Los Angeles.