Return to Space

Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.

Sep 24, 2017 — For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...

Sep 15, 2017 — “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...

Sep 10, 2017 — Guillermo del Toro’s The Shape of Water has won the Golden Lion at this year’s Venice International Film Festival. We’ve been gathering reviews here, and we’ll carry on, too, as the film screens in Toronto throughout the coming week.This year’s...

Jul 30, 2017 — “Everybody knows what’s wrong with Hollywood—the vacuous parade of tentpole blockbusters; the refusal to diversify both in front of and behind the camera; the confusion in the face of disruptions by Netflix and Amazon; the single-minded lust for the 13-year-old-male...

Jul 26, 2017 — “The rarely screened Le gai savoir (1969), translated as ‘Joy of Knowing’ in the 2K restoration that makes its world premiere at the Quad on Friday, exemplifies a typical Godardian paradox,” writes Melissa Anderson in the Village Voice. “Profuse and...

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.

Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.

Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.