The Criterion Collection
The Daily
Mar 7, 2018 — The two big film festivals of April, one for each coast, have made major lineup announcements. The Tribeca Film Festival has rolled out all of its feature titles for its seventeenth edition, running from April 18 through 29. Last month,...
The Daily
Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...
Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.
Oct 27, 2014 — Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.
Dec 16, 2013 — A melodramatic investigation of family and class, Kim Ki-young’s film exorcises some demons of 1960s South Korean society.
Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.
Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
May 16, 2011 — Among the most enduringly popular motives for murder, in films as in life, is the desire to remove an impediment to happiness—to get somebody, once and for all, out of the way. In life, of course, the goal of freeing...
Jan 24, 2011 — A character-driven tale of driven characters whose professional triangle trumps their romantic one, Broadcast News (1987) takes place after the fall of the Equal Rights Amendment and before the fall of the Berlin Wall—a time when gender wars and cold...