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No Looking Back

Feb 28, 2023 In his directorial debut, Robert Townsend channeled his frustrations with the typecasting of Black actors, resulting in a satire whose hilarious critique of Hollywood still resonates today.

Heroes

The Daily

Feb 24, 2023 This week we celebrate Michelle Yeoh and revisit classics by Kim Ki-young, Marguerite Duras, and Bill Forsyth.

Feb 15, 2023 Programmers discuss their selections and the Forum runs a series of rich essays.

Jan 31, 2023 In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.

Jan 19, 2023 Critics list their most-anticipated films as Sundance opens with Rotterdam and Berlin hot on its heels.

Jan 9, 2023 The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

Uncertain Futures

The Daily

Jan 6, 2023 We’re catching up with a conversation with Tom Gunning, an essay on the nuclear threat, and appreciations of Jean-Louis Trintignant and Norma Shearer.

Dec 13, 2022 A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.

Dec 1, 2022 During the production of our release of Amores perros in 2020, the film’s writer-director, Alejandro G. Iñárritu, gave us a remarkable window into his creative process, showing us some of the dozens of note cards he’d used in planning scenes...

Nov 23, 2022 In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

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