My Future Love

Jul 12, 2017 — La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...

Jul 11, 2017 — Let’s begin today with the listening and viewing tips, because New York Times film critic Manohla Dargis is Peter Labuza’s guest on The Cinephiliacs (85’38”). Among the topics discussed are “her childhood movie love of watching objects without inhibition and...

Jun 30, 2017 — “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...

Jun 21, 2017 — Billing itself as “the world's longest continually-running film festival,” the Edinburgh International Film Festival opens its 71st edition today with Francis Lee’s God’s Own Country, one of five films Alistair Harkness recommends from the lineup in the Scotsman: “Already described...

Jun 20, 2017 — “Bertrand Tavernier joins a growing list of filmmakers who've made what amounts to an epic video essay with My Journey Through French Cinema, a three-hour-plus leap into notable French filmmaking from roughly 1930 to 1980,” writes Clayton Dillard at Slant....

Jun 6, 2017 — Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...

Jun 1, 2017 — By turns gritty and lyrical, this portrait of the Syria-Turkey border brings together two pioneers of Turkish cinema.

Jun 1, 2017 — “The greatest filmmakers, like the greatest novelists and poets, are trying to create a sense of communion with the viewer,” writes Martin Scorsese in the new issue of the TLS. “They’re not trying to seduce them or overtake them, but,...

May 24, 2017 — “Love them or hate them, the films of Bruno Dumont never cease to confound,” begins Jordan Mintzer in the Hollywood Reporter. “For a long time the 59-year-old auteur was known for his uncompromising—and uncompromisingly bleak—early works like The Life of...

May 24, 2017 — “Cinema lost one of its pre-eminent pioneers when Abbas Kiarostami died on July 4, 2016,” writes Giovanni Marchini Camia at the Film Stage, where he notes that 24 Frames “was as good as finished” at the time of his passing....