The Criterion Collection
Jun 12, 2012 — Hal Ashby’s delicately off-kilter May-December romance stars two of the unlikeliest countercultural icons of the seventies.
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
Nov 8, 2010 — To say that Lars von Trier deals in provocation and controversy is like saying John Ford made westerns: obviously true, but far from giving a measure of the director’s importance. Ever since The Element of Crime polarized critics at Cannes...
Mar 17, 2010 — 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...
Aug 18, 2008 — One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.
Apr 17, 2006 — Another movie, another cause célèbre: this mysterious film by Orson Welles has been dismissed as a disaster and hailed as a masterpiece.
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.