The Criterion Collection
Jan 1, 2007 — I’ve started writing this several times, and each time I’ve gotten diverted. Originally, I wrote about our troops in Iraq and the fact that we had sent along DVDs for the holidays, but I had a hard time equating our...
Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.
The Daily
Sep 30, 2024 — Showered with accolades, loved, admired, and feared, Smith was one of the most accomplished stars of the stage and screen.
Jun 27, 2024 — At their best, movies that showcase a sizable collective of virtuosic actors can give you the feeling of a rich ecosystem being brought to life.
The Daily
Aug 3, 2023 — Reubens’s man-child creation was the role of a lifetime, but filmmakers were eager to have him show us his real range.
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
The Daily
Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...
Features
Jun 15, 2020 — The hugely popular and prolific Italian actor Alberto Sordi relished playing rogues, characters riddled with foibles and weaknesses. In an interview with Positif’s Jean A. Gili in 1999, he revealed that his aim was to depict in a comic register...