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Hard Hit

Oct 11, 2016 Before the New York Film Festival premiere of Hermia and Helena, his 2016 riff on A Midsummer Night’s Dream, the Argentine director stopped by to discuss the Bard and the movies that shaped him as a filmmaker.

Oct 5, 2016 Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.

Sep 28, 2016 “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.

Sep 19, 2016 If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Sep 12, 2016 Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.

Jun 29, 2016 In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

May 10, 2016 Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.

Feb 23, 2016 Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.

Feb 9, 2016 Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

Jan 21, 2016 In Gilda, Charles Vidor’s “violent, sexual, chaotic” noir, the director focused on Rita Hayworth’s skills as an actor and a dancer, eliciting a performance that became iconic in its own right and made her an international superstar.

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