The Criterion Collection
Dec 13, 2016 — John Huston’s meticulously calibrated crime film combines nail-biting suspense with a mood of Chekhovian regret.
In Theaters
Nov 3, 2016 — The George Eastman Museum screens John Frankenheimer’s 1962 psycho-political thriller in anticipation of election night.
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
Sep 21, 2016 — An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.
Jul 19, 2016 — Time is both inescapable and irretrievable in Alain Resnais’s boldly disorienting masterpiece, which stars Delphine Seyrig as a widow haunted by her memories of World War II.
Jun 4, 2016 — Wim Wenders’s road movies, Michael Almereyda writes, are “at once minimal and romantic, austere and lyrical,” focusing on questions—of individuals and society, culture and nature—that Wenders has returned to throughout his career.
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.
Essays
Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...
Sneak Peeks
Jan 27, 2015 — Guy Maddin’s current filmmaking partner, the also Winnipeg-based Evan Johnson (with whom Maddin directed his upcoming feature, The Forbidden Room), created four original short “cine-essays” as supplements for Criterion’s release of Maddin’s My Winnipeg. Below is one of them, titled...
Nov 20, 2014 — The two writers chat about Nehme’s new novel.