The Criterion Collection
The Daily
Jun 29, 2020 — The new issue ranges from experimental nonfiction to a Pixar feature, from a ten-screen installation to Watchmen.
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
On the Channel
May 28, 2020 — Check out what’s in store next month on our streaming service!
May 21, 2020 — Judy O’Brien, a ballerina working in a burlesque show to make ends meet, has finally had enough. In the middle of an especially humiliating performance, the audience’s jeering reaches such a peak that she stops, walks down center stage, hands...
May 21, 2020 — Deep Dives “Right then, get dressed!” my mother sang out once a year when I was a child. “We’re going down the Lane,” and I was at the front door with my coat on before she was. The Lane was...
The Daily
May 19, 2020 — The range was remarkable, but the projects Piccoli selected and the directors he chose to work with are what make his body of work essential.
Features
May 4, 2020 — “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...
Apr 28, 2020 — “Fuck! Fuck you fuck me fuck old people fuck children fuck peace! Fuck peace.”Miranda July shouts at her car’s steering wheel. With a black Sharpie, she scrawls FUCK in huge letters on the inside of her windshield. She drives. Sunlight...
The Daily
Apr 16, 2020 — Olivia Laing and Rebecca Mead find restorative consolation in the writing of the renowned filmmaker, painter, and gardener.
The Daily
Apr 13, 2020 — The director of House, dozens of experimental films, and thousands of commercials returned again and again to the devastation of the Second World War.