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Oct 2, 2023 — Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy star in a melancholic story of romance and reconciliation.

Sep 29, 2023 — The newly reconstructed and restored seven-hour version of the 1923 melodrama screens on Saturday and again next week in New York.

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...

Sep 20, 2023 — Few of Wang’s films contrast as starkly as Youth (Spring) and Man in Black, and both are set to screen in New York.

Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...

Aug 22, 2023 — In 1962, the young Bo Widerberg threw a grenade into the complacent waters of Swedish cinema. It came in the form of four articles in the evening newspaper Expressen—followed by a book version titled Vision in 
Swedish Film—in which Widerberg...

Aug 22, 2023 — A new restoration of Roemer’s brisk and oddly endearing 1969 comedy screens in New York, Los Angeles, and Chicago.

Aug 18, 2023 — This week we’re revisiting After Hours and other ’80s greats and the oeuvres of Yasuzo Masumura and François Truffaut.