The Criterion Collection
Features
Mar 8, 2024 — Though the Taiwanese director began working in commercial genres, even his earliest mainstream films contain the seeds of the inimitable style that would establish him as one of the world’s most important filmmakers.
The Daily
Feb 21, 2024 — Huppert takes the lead in Hong Sangsoo’s A Traveler’s Needs and André Téchiné’s My New Friends.
Feb 21, 2024 — Combining the influence of the wuxia genre, the Hong Kong New Wave filmmaking of the 1980s, and loony comic-book futurism, these two ass-kicking fantasias are dazzling showcases of female physicality.
Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...
Feb 12, 2024 — Bob Young worked with Michael Roemer on Nothing but a Man and directed ¡Alambrista! and The Ballad of Gregorio Cortez.
Feb 5, 2024 — He brought magical life to figures in films by Guillermo del Toro and Wes Anderson.
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
The Daily
Feb 2, 2024 — The week brings the final issue of Cinema Scope, a revival of Not a Pretty Picture, and a series of films starring Jean Arthur.
Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.
The Daily
Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.