The Criterion Collection
Mar 12, 2019 — By dint of perseverance, Harold Lloyd, the modest son of Burchard, Nebraska, became the prince of Hollywood, California, where he lived the Horatio Alger dream. His life and his memorable films alike echo Alger’s theme of young men who apply...
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
The Daily
Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.
The Daily
Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.
In Theaters
Jun 7, 2018 — Repertory Picks The road to divorce is paved with comedy gold in Leo McCarey’s The Awful Truth, playing tonight at the Princeton Garden Theatre in New Jersey. Plagued by suspicions of infidelity, an upper-crust New York couple (Cary Grant and...
The Daily
Apr 16, 2018 — Following lineup announcements from the Cannes Film Festival and Critics’ Week, the Quinzaine des Réalisateurs, or Directors’s Fortnight has presented the slate for its fiftieth edition, running from May 9 through 19. “As per the tradition of the parallel section,”...
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
The Daily
Mar 25, 2018 — Since our last roundup on new issues, two more publications have each put out another. The new March 2018 issue of Film Criticism opens with Julia Vassilieva’s essay on Andrey Zvyagintsev’s Leviathan (2014; image above). “While earlier discussions of the...
The Daily
Feb 12, 2018 — Icelandic composer, musician, and producer Jóhann Jóhannsson is gone too early at the age of forty-eight. “Known for compositions that often blended electronics with classical orchestrations, Jóhannsson credits include the Golden Globe-winning score for 2015’s The Theory of Everything,” writes...