The Criterion Collection
Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”
May 5, 2009 — Every second of David Fincher’s uncanny drama—every shot and every cut, every gesture and every facial expression, every turn in its narrative and every visual effect—is devoted to the contemplation of time’s passing.
Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.
Feb 21, 2006 — Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....
Dec 30, 2003 — In 1936 the rise of Hitler in Germany and the Popular Front in France created within the French Left a new sense of solidarity with the Soviet Union. In that context the Russian immigrant producer Alexander Kamenka asked Jean Renoir...
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
In Theaters
Nov 19, 2015 — There’s no better time than a crisp Sunday evening in November to cozy up and take in a spooky Victorian ghost story. This weekend, if you’re in Columbia Heights, Minnesota, you can do just that.
Feb 21, 2007 — It was bound to happen. After a good start for the blog, a quiet stretch. The year has gotten off to a busy start. Every minute there seems to be a meeting with a new player about a new technology...
The musician reminisces about Repo Man playing permanently on his tour bus, shares why The Flight of the Phoenix is a relaxing Sunday movie, and selects favorites by David Lean and Marlon Brando.
The Daily
Dec 11, 2025 — Charli XCX stars in three of them, and another highlight is a restored documentary by the late William Greaves.