The Criterion Collection
Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...
The Daily
Aug 8, 2023 — Premiering in competition, Do Not Expect Too Much from the End of the World is an immediate critical favorite.
The Daily
Jun 5, 2023 — The director of one of the major early works of the French New Wave lived to see interest in his work revived.
The Daily
Apr 26, 2023 — The activist, singer, and actor dealt with stardom on his own terms.
Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.
Features
Aug 17, 2022 — The music of the legendary, multiple-Oscar-winning composer brought the freedom and anxiety of postwar America to life.
The Daily
May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.
The Daily
Mar 4, 2022 — Freud and Jung make surprise appearances in this week’s roundup.
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...