The Criterion Collection
Essays
Apr 29, 2025 — In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.
The Daily
Apr 22, 2025 — This year’s edition spotlights work by Dea Kulumbegashvili, Alex Ross Perry, Eva Victor, and Ryan White.
The Daily
Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.
Sep 10, 2024 — Andrew Haigh explores loss and queer loneliness in this exquisite, twilit tangle of lives and loves separated by space, time, and personal defenses.
The Daily
Aug 23, 2024 — We’re revisiting key films from Francis Ford Coppola, Martha Coolidge, John M. Stahl, Asghar Farhadi, and Jacques Rozier.
Jul 29, 2024 — Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.
The Daily
May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
The Daily
Apr 3, 2024 — This year’s edition is bookended by two very New York movies.
Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.
The Daily
Feb 29, 2024 — Film Forum presents two-week series featuring two dozen films, many of them screening from rare 35 mm prints.