Sep 16, 2016 Did You See This? Over at The Quietus, director Joe Dante selects his thirteen favorite films, including David Lynch’s Mulholland Dr., Preston Sturges’s Sullivan’s Travels, and Ernst Lubitsch’s To Be or Not to Be. Angelo Badalamenti sits down with Vulture...

Sep 16, 2016 Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.

Sep 13, 2016 Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.

Sep 11, 2016 On his seventy-sixth birthday, we’re celebrating the work of Hollywood enfant terrible Brian De Palma, whose iconoclastic five-decade career has encompassed an astonishing array of genres, including erotic thriller, war drama, and science fiction.

Sep 9, 2016 To celebrate the release of this revelatory self-portrait that weaves together footage from Johnson’s twenty-five-year career as a globetrotting documentary cinematographer, we’ve compiled a selection of writing about the film.

Sep 8, 2016 Mike Leigh’s 1990 comedy Life Is Sweet, showing at the Trylon microcinema as part of a monthlong retrospective of the director’s early films, presents an intimate portrait of working-class life in Thatcher-era north London.

Aug 30, 2016 Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.

Aug 26, 2016 ClippingsLast weekend, in conjunction with his new album, Blonde, musician and noted cinephile Frank Ocean released a limited-edition zine titled Boys Don’t Cry, which featured a list of his favorite films. Chungking Express, Eraserhead, Blood Simple, Solaris, Paris, Texas, and...

Aug 26, 2016 1. Director Tony Richardson selected Rita Tushingham for the lead role of Jo after auditioning two thousand young women. A Taste of Honey marked Tushingham’s screen debut, and while her performance went on to win the best actress award at Cannes in...

Aug 25, 2016 David Cronenberg’s chilling 1979 portrait of family dysfunction, in which a troubled woman undergoes a radical form of therapy at a remote institute, is showing in Huntington, New York.

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