The Criterion Collection
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Oct 11, 2016 — Before the New York Film Festival premiere of Hermia and Helena, his 2016 riff on A Midsummer Night’s Dream, the Argentine director stopped by to discuss the Bard and the movies that shaped him as a filmmaker.
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Oct 3, 2016 — Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Sneak Peeks
Sep 28, 2016 — The “Pope of Trash” himself discusses his love for Russ Meyer’s signature style and the original music and retro visuals of his 1970 cult sensation.
Sep 22, 2016 — In this 1979 French television interview, the Cat People director discusses Lewton’s creative idealism and the impact it had on his own pragmatic sensibility.
In Theaters
Sep 22, 2016 — As part of a two-month series highlighting Yasujiro Ozu’s late-career work, the Pacific Film Archive is showing Equinox Flower, a family drama about a conservative father and his rebellious daughter, who refuses to accept his plans for her arranged marriage.
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.
Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.