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This and That

Aug 13, 2016 On the occasion of what would have been the Master of Suspense’s 117th birthday, we’re looking back on a selection of essays and videos that explore his inexhaustible oeuvre.

Aug 7, 2016 Following an arduous restoration effort that involved broken scanners, missing reels, and the complicated transfer of materials between Taipei, Bologna, and New York, Edward Yang’s 1991 epic film is finally available in a high-quality viewing format.

Jul 18, 2016 Criterion’s resident researcher and web producer takes a trip to Madrid bookstore Ocho y Medio, which she calls “a shrine to Spanish contributions to the seventh art.”

Jul 14, 2016 On what would have been the director’s ninety-eighth birthday, we revisit a selection of essays, photo galleries, and videos that explore his iconic oeuvre.

Jul 7, 2016 Half a century after Jacqueline Susann’s sensational novel Valley of the Dolls became a best seller, this cult-classic portrait of glamour and excess is enjoying a fabulous comeback.

Apr 29, 2016 The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.

Apr 26, 2016 Combining Turner Classic Movies’ programming experience with Criterion’s library of films and supplemental content made all the sense in the world.

Apr 5, 2016 As voters in the great state of Wisconsin head to the polls to take part in this year’s presidential primary election, we share some scenes from Robert Drew’s 1960 film, which documented the primary race between Hubert Humphrey and John...

Apr 4, 2016 Ray Dolby did not match the conventional image of an eccentric inventor, nor that of a business mogul. But his name now represents a benchmark by which the recording of sound and its playback on disc and in movie theaters...

Mar 15, 2016 Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.

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