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The World

Jan 5, 2021 The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....

Shifting Ground

The Daily

Dec 4, 2020 A landmark week for the industry has us looking back to past periods of tumult and change.

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...

BAMcinemaFest 2019

The Daily

Jun 12, 2019 Some of the best new independent films of the past year are lined up for the eleventh edition.

May 10, 2019 The Heiress, one of the most intense psychological dramas to issue from 1940s Hollywood, unfolds almost entirely under one roof: that of the well-appointed Manhattan town house where tremulous Catherine Sloper (an Oscar-winning Olivia de Havilland) lives with her domineering...

Sep 19, 2018 The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.

Sep 10, 2018 Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.

Jun 12, 2018 Among the six movies Lino Brocka directed between 1974 and ’76, there were three landmark works that changed the course of his career and that of Philippine cinema: Weighed but Found Wanting (1974), Manila in the Claws of Light (1975),...

May 24, 2018 The late novelist’s work has proven to be an all but insurmountable challenge to screenwriters—but there’s hope.

May 9, 2018 Under the Influence In 1988, David Simon was a journalist shadowing detectives at the Baltimore Police Department for his first book, Homicide: A Year on the Killing Streets. On midnight shifts, one of the sergeants would regularly screen movies for his squad,...

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