The Criterion Collection
Jan 5, 2021 — The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....
The Daily
Dec 4, 2020 — A landmark week for the industry has us looking back to past periods of tumult and change.
Essays
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...
The Daily
Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.
May 10, 2019 — The Heiress, one of the most intense psychological dramas to issue from 1940s Hollywood, unfolds almost entirely under one roof: that of the well-appointed Manhattan town house where tremulous Catherine Sloper (an Oscar-winning Olivia de Havilland) lives with her domineering...
Sep 19, 2018 — The writer and editor for Artforum, cofounder of October, and professor at NYU was ninety-six.
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
Jun 12, 2018 — Among the six movies Lino Brocka directed between 1974 and ’76, there were three landmark works that changed the course of his career and that of Philippine cinema: Weighed but Found Wanting (1974), Manila in the Claws of Light (1975),...
May 24, 2018 — The late novelist’s work has proven to be an all but insurmountable challenge to screenwriters—but there’s hope.
Visual Analysis
May 9, 2018 — Under the Influence In 1988, David Simon was a journalist shadowing detectives at the Baltimore Police Department for his first book, Homicide: A Year on the Killing Streets. On midnight shifts, one of the sergeants would regularly screen movies for his squad,...