Dec 11, 2018 Note: The terms black and white were part of the way racial categories were referred to in South Africa under apartheid. Other terms, like nonwhite and non-European, were also used to mark racial segregation. In the following essay, the term...

Critics Laud Roma

The Daily

Dec 10, 2018 Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.

Dec 9, 2018 Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...

Dec 8, 2018 Bluebeard films, German theorists, Fassbinder’s attack, sensory experiences, and the world’s largest movie studio.

Dec 7, 2018 Christian Petzold’s films are like dances in which people circle each other but never quite connect. The most resonant moments in the German writer-director’s work are not ones of dialogue or plot development but of blocking and choreography: bodies intertwining,...

Globes and Laurels

The Daily

Dec 6, 2018 Adam McKay’s Vice leads the Golden Globe nominations as critics write up their lists of the best of 2018.

Dec 6, 2018 Also in today’s round of festival news: Guillermo del Toro’s alternative history of Mexican cinema and Sundance’s New Frontier.

Dec 6, 2018 Repertory Picks Since September, the Cinematheque at the University of Wisconsin–Madison has devoted its Sunday-afternoon screening series at the Chazen Museum of Art to the work of New German Cinema icon Rainer Werner Fassbinder. And this weekend, the retrospective’s second...

Dec 5, 2018 Studio Visits When it comes to evoking fantastical worlds, artist Angela Rizza is nothing if not a natural. Since graduating from the Fashion Institute of Technology in 2011, she has quickly made a name for herself as a children’s-book illustrator,...

The Repertory Boom

The Daily

Dec 5, 2018 The New Beverly reopens in Los Angeles and Film Comment offers fresh coverage of the repertory scene in New York.

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