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The In Between

Apr 19, 1994 Rivaled only by Fritz Lang and G. W. Pabst as Germany’s greatest director of the silent age, Friedrich Wilhelm Murnau was a tireless formal innovator exhilaratingly difficult to pin down. If his 1922 horror epic Nosferatu represented an apex of...

Jan 11, 1994 A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.

Mar 9, 1992 The ads for Boyz N the Hood, the debut of a 23-year old writer-director named John Singleton, treated the film as if it took place in another galaxy—a mysterious fiefdom far, far away. And so it does, set in a...

Dec 16, 1991 Lady for a Day represented a watershed in the career of Frank Capra. The young director had been laboring at Columbia Pictures’ Poverty Row Studio, churning out 18 films in less than six years. He had moved from low-budget programmers...

Oct 21, 1991 Written under the German occupation of France, and produced with the sanction of occupation censors, Marcel Carné’s masterpiece began shooting on August 17, 1943, at the Victorine Studios in Nice.

Shampoo

Essays

Sep 23, 1991 Hal Ashby’s witty post-Nixon comedy shocked viewers in 1975 with its sexual activity and the taboo-breaking language.

Parade

Essays

Mar 31, 1991 In Jacques Tati’s final work, the physical borders of spectacle and audience are broken down through a variety of means.

Apr 10, 1989 In the Hollywood heyday of the ‘30s and ‘40s, America was synonymous with rip-snorting action-adventure movies. Audiences throughout the world thrilled to such classics as Gunga Din, The Sea Hawk, and Union Pacific. In the 1950s the Japanese made their...

Jan 11, 1989 Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...

Blowup

Essays

Dec 5, 1988 This existential thriller didn’t begin its life as a cannily trendy product of studio filmmaking, but rather as the very personal expression of the imagination of one of European art cinema’s greatest talents, Michelangelo Antonioni.

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