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Aug 13, 2017 — Fifty years ago today, on August 13, 1967, Arthur Penn’s Bonnie and Clyde with Faye Dunaway and Warren Beatty opened in New York “at the Murray Hill and the Forum, on 47th Street and Broadway, right in the middle of...

Aug 12, 2017 — The International Jury of this year’s Locarno Festival, presided over by Olivier Assayas and including Jean-Stéphane Bron, Miguel Gomes, Christos Konstantakopoulos, and Birgit Minichmayr, has awarded the Golden Leopard to Wang Bing’s Mrs. Fang—we’ve gathered reviews here. “I’ve been working...

Aug 11, 2017 — A new video essay on our edition of The Breaking Point breaks down the fluid visual style of one of Hollywood’s most dependable and prolific masters.

Aug 11, 2017 — “Mrs. Fang is a study of a face and a sober essay on death,” writes Rory O’Connor at the Film Stage. “It’s also about fishing. As profoundly moving as it is troubling, this new masterwork from documentary filmmaker Wang Bing...

Aug 11, 2017 — With his controversial new film Nocturama opening in theaters, French director Bertrand Bonello spoke with us about what inspires him as an artist and how he blurs the line between realism and abstraction.

Aug 10, 2017 — We are thrilled to announce the December 5 release of 100 Years of Olympic Films, a landmark box set that documents the history of the Olympic Games through the lenses of an international array of filmmakers.

Aug 10, 2017 — “Stylish swagger goes full-tilt boogie in Let the Corpses Tan (Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins Neil Young in the Hollywood Reporter. “Having amassed a...

Aug 9, 2017 — The Toronto International Film Festival has added Canadian features and shorts and a bit more to the lineup of its forty-second edition, running from September 7 through 17. Earlier rounds: Gala and Special Presentations TIFF Docs, Midnight Madness, and Short...

Aug 9, 2017 — “A prodigal son’s Palestinian homecoming is marked by family obligations, comforting white lies and concerted efforts at matchmaking in Wajib, a wryly-observed family drama from writer/director Annemarie Jacir,” begins Screen’s Alan Hunter. “Loosely inspired by events in her own family,...

Aug 8, 2017 — The disheveled drifter at the heart of Mike Leigh’s 1993 masterpiece collides with a disturbed young man in this brilliantly acted, semi-screwball scene.