The Criterion Collection
Nov 14, 2016 — For his first foray into romantic comedy, Paul Thomas Anderson worked closely with Jon Brion on a score that combines melodic orchestration with startling dissonance.
On the Channel
Nov 11, 2016 — This week’s Friday Night Double Feature on the Criterion Channel demonstrates how much suspense a superb director can wring from an intriguing premise without resorting to yelling “boo!” or splashing gore.
Sneak Peeks
Oct 14, 2016 — The two actors discuss their involvement with Richard Linklater’s twelve-year film production, its parallels with their own lives, and the emotional journey of making the film.
Short Takes
Oct 7, 2016 — The Brooklyn Rail has published a conversation between Roberto Rossellini and Salvador Allende, prefaced with an introduction by Jonas Mekas, who received the original transcript from Rossellini in the early seventies. For MUBI, Daniel Kasman explores the newly restored early...
Oct 3, 2016 — Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Sneak Peeks
Sep 28, 2016 — The “Pope of Trash” himself discusses his love for Russ Meyer’s signature style and the original music and retro visuals of his 1970 cult sensation.
Short Takes
Sep 15, 2016 — From its formal and technical complexity to its potent social commentary, Mizoguchi’s early-career masterpiece The Story of the Last Chrysanthemum offers a rich learning experience for directors seeking to hone their craft.
Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.
Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.