Apr 21, 2023 Names in the news this week: Catherine Deneuve, John Akomfrah, Nan Goldin, György Fehér, Leiji Matsumoto, and Hayao Miyazaki.

Oct 24, 2022 A lively new podcast traces the history of German cinema in the Weimar era.

Jul 19, 2017 A showcase for the bighearted sensibility of the late Jonathan Demme, the tonally intricate comic thriller Something Wild plays in Athens, Georgia, today through Sunday.

Oct 7, 2015 It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Aug 3, 2015 On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...

Jun 10, 2014 Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...

At Criterion, cinema is king, but the play is also the thing. Here’s a selection of films that adapt great works of theater for the screen.

Aug 24, 2010 T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...

Oct 24, 2005 Kihachi Okamoto’s dynamic, intricately madcap movie is a multitoned send-up of samurai film lore.

The Mark of M

Essays

Dec 6, 2004 It’s hard to believe that M was made in 1931. If we allow for the fact that it’s in black and white, it is more engaging to the eye, more incisive in its irony, more firm in its grasp of...

Current Page
334
of 335

You have no items in your shopping cart