“The Story of Julesburg” (episode of Pony Express , ) (Scriptwriter

Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...

Mar 22, 2018 — David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...

Mar 15, 2018 — In what Tim Adams, profiling Tacita Dean for the Guardian, calls “an unprecedented collaboration” between “three of the nation’s most prestigious institutions,” two exhibitions are opening in London today—Portrait at the National Portrait Gallery and Still Life at the National...

Mar 5, 2018 — New York. “The New York street (and fashion) photographer turned New Left filmmaker gets a ninetieth birthday fête with The Eyes of William Klein,” writes J. Hoberman for the New York Review of Books. “Klein made his most political work...

Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...

Feb 22, 2018 — Luis Buñuel was born on this day, February 22, in 1900. “By 1961, Buñuel was born again, so to speak,” writes Jeremy Carr, having sketched the career from Un chien andalou (1929) and L'âge d'or (1930) through the years in...

Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.

Feb 9, 2018 — New York. Tonight at Light Industry, Tobi Haslett will introduce a screening in memory of the late Mark E. Smith. “Charles Atlas’s Hail the New Puritan [1986; image above] now looks like a glinting frieze from a vanished London, a...

Feb 5, 2018 — New York. “Tonight, Anthology Film Archives continues its Documentarists for a Day series with a rare pairing of nonfiction offerings from Nagisa Oshima that reveal an introspective side to the famously outspoken political filmmaker,” writes Kazu Watanabe at Screen Slate....

Feb 5, 2018 — This year marks the 200th anniversary of the publication of Mary Shelley’s Frankenstein; or, The Modern Prometheus, the occasion for Jill Lepore’s outstanding piece in this week’s New Yorker: Frankenstein is four stories in one: an allegory, a fable, an...