Life Is Life

Aug 18, 2017 — In this unsparing drama, Mike Leigh captures the grim mood of Thatcher’s England through the frustrations of a working-class London family.

Aug 17, 2017 — With Josh and Benny Safdie’s Good Time in theaters, the Los Angeles Times’ Justin Chang talks with Robert Pattinson about his cinephilia, which took root when he was a teen. “Godard’s Prénom: Carmen (First Name: Carmen) was a massive one...

Aug 17, 2017 — Repertory Picks This weekend, the Gateway Film Center in Columbus, Ohio, will screen a 35 mm print of Dennis Hopper’s era-defining 1969 directorial debut, Easy Rider. Billed as the tale of a man who “went looking for America and couldn’t...

Aug 17, 2017 — Zhao Tao (Mountains May Depart) and Liao Fan (Black Coal, Thin Ice) are set to star in Jia Zhangke’s new film, Ash Is Purest White,” a project formerly known as “Money & Love,” reports Variety’s Elsa Keslassy. “An epic love...

Aug 16, 2017 — French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.

Aug 15, 2017 — The Toronto International Film Festival has announced the titles lined up for the Masters, Contemporary World Cinema, Wavelengths, and Primetime programs of its forty-second edition, running from September 7 through 17, and added more Gala and Special Presentations.Earlier rounds: The...

Aug 15, 2017 — “Given that this edition of Locarno was its 70th, it was a shame that no special anniversary prize was created and bestowed on Raúl Ruíz's gloriously strange The Wandering Soap Opera,” finds James Lattimer at the House Next Door. “The...

Aug 12, 2017 — The International Jury of this year’s Locarno Festival, presided over by Olivier Assayas and including Jean-Stéphane Bron, Miguel Gomes, Christos Konstantakopoulos, and Birgit Minichmayr, has awarded the Golden Leopard to Wang Bing’s Mrs. Fang—we’ve gathered reviews here. “I’ve been working...

Aug 11, 2017 — A new video essay on our edition of The Breaking Point breaks down the fluid visual style of one of Hollywood’s most dependable and prolific masters.

Aug 10, 2017 — Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...