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A Misappropriated Turkey

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 29, 2026 In the run-up to the country’s 250th birthday, several venues are offering prompts for celebration and reflection.

Jun 26, 2026 We’re tracking the unconventional flows of Zidane, Eephus, and Castration Movie; plus Pedro Costa on Mizoguchi and Tourneur.

Jun 24, 2026 Newly restored, the garishly colorful mountain movie will screen in New York with three more Maddin features.

Jun 23, 2026 The only favor I ever asked of a twink was for tickets to see John Waters introduce two of his films. I was the sole trans filmmaker enrolled in my school’s program, and I felt it was my right to...

Jun 22, 2026 Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Enduring Portraits

The Daily

Jun 18, 2026 We’re wrapping the week with top docs, Black writers, screwball comedies, and appreciations of Raoul Peck and Jafar Panahi.

Jun 17, 2026 Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

Jun 16, 2026 BAM presents twelve films ranging from the early 1960s through the late 1980s.

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

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