The Criterion Collection
Oct 24, 2005 — Mirroring changes in awareness, politics, and lifestyle occurring across the globe, the chanbara (or Japanese swordplay film) underwent a significant metamorphosis in the early 1960s, acquiring a decidedly more radical spirit. Seemingly without warning, groundbreaking cinematic styles from beyond the...
Oct 24, 2005 — Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.
Sep 26, 2005 — “They were down for each other.” If one wanted to pitch the concept of Bad Timing in six words, this comment by its director, Nicolas Roeg, couldn’t be bettered.
Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.
Sep 19, 2005 — When I was a teenage cinephile, in the mid-1970s, Masculin féminin was enormously significant to me. It represented France’s nouvelle vague of the sixties, with its youthful, anarchic spirit of freedom and spontaneity. It was in black and white and...
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
Jun 27, 2005 — Kô Nakahira’s taboo-busting melodrama heralded a reinvention of Japanese cinema.
Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.
May 9, 2005 — Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.
Essays
May 9, 2005 — This seminal documentary conveys the particular seductiveness and resonance of the dream of going pro for two talented Chicago teenagers.