The Criterion Collection
The Daily
Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...
The Daily
Jan 16, 2018 — Today we’re opening with an item that bumps New York from its usual top spot in these “goings on” roundups, because the first four titles lined up for this year’s Berlin Critics’ Week (February 14 through 22) have been announced:...
The Daily
Jan 9, 2018 — In just over a week now, the winter festival season will begin as Sundance opens on January 18 to run through the 28th. On January 24, the International Film Festival Rotterdam will open and run through February 4; see the...
The Daily
Jan 3, 2018 — Ingmar Bergman was born on July 14, 1918, and exhibitions and film series celebrating the hundredth anniversary are already underway. Update, 1/5: Ingmar Bergman’s Cinema, a Janus Films retrospective of twenty-four works, will open at New York’s Film Forum on...
The Daily
Dec 25, 2017 — New York. The Film Society of Lincoln Center’s series Emotion Pictures: International Melodrama rolls on through January 7. “The genre of melodrama, which displays the grand, tragic passions that mark everyday lives while also detailing historical events that knock those...
The Daily
Dec 15, 2017 — First up, as Kristopher Tapley reports for Variety, the Academy of Motion Picture Arts and Sciences has narrowed the list of contenders for the best foreign language film Oscar to nine: A Fantastic Woman, directed by Sebastián Lelio, ChileIn the...
The Daily
Nov 23, 2017 — Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...
The Daily
Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...
The Daily
Nov 16, 2017 — “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...
The Daily
Nov 12, 2017 — In Wayne and Ford: The Films, the Friendship, and the Forging of an American Hero, Nancy Schoenberger “has hidden a provocative thesis,” suggests Stephen Metcalf, writing for the Atlantic. “She asks us to remember the beauty of masculine self-mastery as...