The Criterion Collection
The images in these films are inextricable from the flawlessly selected tunes accompanying them.
Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.
Sep 29, 2008 — After Ozu died on his sixtieth birthday, December 12, 1963, some thirty-two diaries were discovered. They were from 1933 to 1963, and though a few years were missing, they offer a commentary on the life of the director and reveal...
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Essays
Aug 2, 2004 — Anna Magnani’s flair for demotic street comedy was transfigured into stylized nobility by sumptuous costuming and Jean Renoir’s formal camera work.
Essays
Jan 10, 2000 — The Night Porter is a provocative and problematic film. Made in 1974 by Italian director Liliana Cavani, it can be seen as an exercise in perversion and exploitation of the Holocaust for the sake of sensationalism. On the other hand,...
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
Jul 25, 2024 — During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.
The duo behind Everything Everywhere All at Once take home some of their favorite films, with a special focus on wildly stylized genre movies that reflect their own aesthetic sensibility.
When the English director visited Criterion for a screening of his film 45 Years, he was joined by the movie’s star. And when the pair took a trip into the Criterion closet, their charming closeness was evident.