Transit

Apr 17, 2017 — Artist and writer Dash Shaw chats with us about first discovering René Laloux’s 1973 sci-fi masterpiece and its lasting influence on his own illustration style.

Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.

Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Feb 2, 2017 — Repertory Picks This Friday, the Dairy Arts Center in Boulder, Colorado, will screen Hal Ashby’s 1971 sophomore feature Harold and Maude. Made just one year after Ashby transitioned from editing to directing with his Brooklyn-set gentrification drama The Landlord, the...

Jan 31, 2017 — Brooklyn-based director Tim Sutton stopped by for a visit and sat down to chat about the films that have inspired his work and the importance of maintaining an outsider’s point of view.

Jan 27, 2017 — Did You See This? In a new interview with Film Comment, Polish cinematographer Slawomir Idziak discusses his collaborations with Krzysztof Kieślowski and his transition to working on Hollywood films like Gattaca and Black Hawk Down. “After the unexpected explosion of...

Jan 13, 2017 — Did You See This? In remembrance of the late, great David Bowie, Sight & Sound examines the icon’s connection to cinema. Apart from his on-screen appearances, the influence of film manifests in everything from his groundbreaking videos and “widescreen” musical...

Dec 26, 2016 — PerformancesTraveling through the subterranean portals of Videodrome like an introverted wraith, Deborah Harry carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either...

Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.