The Spiderwick Chronicles (Mark Waters, ) script

May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.

Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.

Jan 23, 2026 — This week: Max Ophuls, Erich von Stroheim, David Lynch, the Biden years, and the best of 1935.

Aug 20, 2020 — The one-of-a-kind actress gave us unforgettable performances in Days of Heaven and Out of the Blue.

Feb 9, 2018 — Ioncinema has completed its countdown of the fifty most anticipated foreign films of 2019—that’s twenty-nineteen—and Nicholas Bell has written up a paragraph for each of the top ten: 1. Untitled Jonathan Glazer Project2. Abel Ferrara’s Siberia3. Kleber Mendonca Filho and...

Aug 1, 2017 — From Pittsburgh, where he’s currently working on Where’d You Go, Bernadette? with Cate Blanchett and Kristen Wiig, Richard Linklater—seen above directing Julie Delpy and Ethan Hawke in Before Sunrise way back in 1995—called into the Television Critics Association on Sunday,...

Jul 19, 2017 — The Tracking Board’s Jeff Sneider broke the news and Variety’s Justin Kroll confirms it. Steven Soderbergh has secretly shot a film with Claire Foy and Juno Temple on an iPhone. The title seems to be all that’s known about it...

Sep 10, 2017 — “Hirokazu Kore-eda is best known for intimate family dramas that overseas critics often compare to the work of Yasujiro Ozu (1903-63), the genre’s unquestioned master,” writes Mark Schilling, introducing his interview with the filmmaker for the Japan Times. “Kore-eda rejects...