The Presence

Jan 21, 2008 — Agnès Varda seizes the kind of immediacy and tension associated, at the start of the sixties, with the cinema verité documentary movement and uses it to create a new form of fiction.

Jan 21, 2008 — In September 1997, I saw Agnès Varda introduce a brand-new 35 mm print of her first feature film, La Pointe Courte (made in 1954), to an admiring audience at Yale University. More astonishing than the luminous black-and-white images was Varda’s...

Jan 15, 2007 — Allison Anders, Dean Lent and Kurt Voss’s influential indie paints a compelling picture of the Los Angeles punk-rock scene of the 1980s: what it was like on the inside—and what it was like inside the musicians’ heads.

Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.

Feb 14, 2005 — A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.

Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.

Jul 11, 1998 — Powell and Pressburger’s sixth film tells the story of five nuns of the Anglo-Catholic faith who are dedicated to work and welcome the assignment to open a school and hospital in remote Hindustan.

Sep 24, 1992 — It was in 1947 that Vladimir Nabokov began writing what he described as “a short novel about a man who liked little girls.” Completed in 1954, the manuscript was rejected as pornographic by at least four New York publishers. Nabokov...

Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...