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The Last Match

Deeper into Ozu

Features

Dec 12, 2023 Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...

Mar 30, 2018 This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.

Aug 21, 2017 When Jonas Mekas and his brother Adolfas fled Lithuania in 1944 only to land in a Nazi forced-labor camp, Jonas began to keep a diary. Entries from that diary are gathered in I Had Nowhere to Go, out now from...

Jun 7, 2015 Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Mar 2, 2010 If the harrowing, formally daring Hunger, just out in Criterion Blu-ray and DVD editions, left you wanting to deepen your acquaintance with director Steve McQueen’s visceral imagery, you’re in luck, at least if you live in the New York area....

Nov 28, 2016 PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...

Nov 25, 2014 More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.

May 17, 2011 “There was a strong influence of Baudelaire’s Fleurs du mal throughout this film,” director Masahiro Shinoda would later remember of his 1964 squid-ink noir Pale Flower, made in the days when his career as a filmmaker and founding figure of...

Jan 23, 2019 Checking in on how the nominees are currently faring with critics and awards prognosticators.

May 24, 2018 Let the celebrations begin with a series in New York, a season in London, and a new restoration.

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