The Criterion Collection
The Daily
Sep 17, 2017 — While we’re still reeling from the loss of Harry Dean Stanton, there are others who’ve left us this past week or so we’ll want to remember.“Frank Vincent, whose tough-guy looks brought him steady work as a character actor in film...
The Daily
Jul 21, 2017 — The Venice International Film Festival has announced that Rosita (1923), “famed as the single collaboration between two of the giants of the silent screen, the director Ernst Lubitsch and the star Mary Pickford, is the film that has been chosen...
The Daily
May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...
Essays
Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.
Jun 23, 2014 — Peter Davis’s provocative, Oscar-winning Hearts and Minds, released to the American public in 1974, is that rare documentary whose truths and relevance have been underlined and amplified by the passage of time. The title is derived from President Lyndon B....
Features
May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.
Sep 13, 2011 — Hollywood has been importing talented European filmmakers at least since the early twenties, when Victor Sjöström and Ernst Lubitsch heeded the siren wail of Tinseltown resources, and their work there has tended to quickly obscure the cultural memory of the...
Production Notes
Apr 1, 2008 — As a generation of artists passes, the deaths often seem to come eerily close together, amplifying their individual achievements. In the past couple of weeks, we’ve lost The Naked City screenwriter Malvin Wald, then the incomparable Richard Widmark, and now...
Essays
Jun 26, 2000 — Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...
Essays
May 5, 1998 — John Woo’s last film made in Hong Kong before his emigration to the U.S. reflects the city's anxieties and state of crisis throughout the decade.