The End of Violence

Mar 19, 1996 — “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Mar 24, 2026 — In this true-crime epic, Martin Scorsese combines his career-long exploration of amoral gangsterism with a sobering meditation on what it means to live on American soil.

Aug 13, 2007 — Samuel Fuller knew how to handle a gun from his army days, and this experience colored all of his filmmaking, which he began at the age of thirty-six.

Mar 31, 2025 — The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

Mar 25, 2025 — The Cinémathèque presents six shady tales from the 1970s.

Sep 24, 2024 — Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.

Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.

May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.

Jun 23, 2020 — In Céline Sciamma’s unabashedly romantic and fiercely political film Portrait of a Lady on Fire (2019), two women fall in love and set each other free, if for only a few glorious days or weeks. It is one of the...

Jul 12, 2019 — This week: Michael Mann, Peter Strickland, Pedro Almodóvar, Luc Moullet, and a forgotten chapter of film history.