The Criterion Collection
Nov 6, 2006 — The circumstances of our first encounters with movies are often as memorable as the movies themselves. Sometimes the juxtaposition of movie and circumstance seems merely accidental; but there are those films that change us enough that we can identify the...
Essays
Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.
Essays
Aug 20, 2001 — Carl Dreyer considers the work of art’s soul in this excerpt from Dreyer in Double Reflection.
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.
Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...
Features
Nov 7, 2019 — Two of the most spellbinding scenes in any Hollywood movie: In the first, Judy Garland, bedecked in a cinched, blue-and-white-striped dress, and topped with a long, auburn wig, sings of her longing for “the boy next door,” her adorable, ginger-peachy...
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
In Theaters
Dec 29, 2015 — One refrain often heard in discussions of twenty-first-century film culture is a lament for the loss of social film viewing. While we celebrate the fact that digital technologies have given us convenient access to unprecedented numbers of movies, old and...
Features
May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...