The Bad and the Beautiful

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Jan 21, 2018 — “After innumerable plays, books, films, made-for-TV series and specials, and even an opera and a musical, you would think popular culture would have exhausted all the options for telling the story of Lizzie Borden, the New England woman who was...

Oct 1, 2017 — “Noah Baumbach has always been a writer-director of no formal distinction, but he's possessed with a keen eye and ear for the intricacies of pettiness, humiliation, and schadenfreude,” begins Steve Macfarlane at Slant. “His new film, The Meyerowitz Stories (New...

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Mar 21, 2016 — Edward Yang’s masterful 1991 adolescent epic telegraphs the tensions and turbulence of 1960s Taiwan, when youth pop culture and teen street gangs became a major societal force.

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.

Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...

Apr 14, 2017 — Did You See This? The just-announced 2017 Cannes Film Festival lineup is a wealth of riches, with new work from Arnaud Desplechin, Abbas Kiarostami, Todd Haynes, Michael Haneke, Noah Baumbach, and Lynne Ramsay, plus a mystery-shrouded Twin Peaks revival. Bright...

Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-­five­-year career as a writer­-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...