The Criterion Collection
Production Notes
Jul 18, 2012 — John Lurie reminisces about making Down by Law and Fishing with John.
Essays
Jun 21, 1999 — Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion. (It was no surprise to me to learn...
The Daily
May 23, 2025 — We’re in the mood for Wong Kar Wai, Kira Muratova, Carl Theodor Dreyer, Alan Rudolph, and Dag Johan Haugerud.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Nov 25, 2025 — Inspired by Arthur Schnitzler’s 1926 novella Traumnovelle, Stanley Kubrick’s final film is a deeply personal examination of the fragility of marriage and the destructive power of sexual fantasy.
Feb 25, 2025 — Misunderstood on release and mishandled by its distributor, this genuine cult classic opened the door to a radical new way of making films.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
Jul 25, 2024 — During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.
The Daily
Nov 14, 2023 — The leading editorial voice of Positif, the great critic and historian gave us essential books on Kubrick and Campion.
Jun 20, 2023 — In their first collaboration, director Joseph Losey and screenwriter Harold Pinter explore the cultural fissures in modern England by dramatizing a kind of role-play in which no role is stable or easy to define.