The Criterion Collection
Jun 18, 2007 — Dušan Makavejev’s masterpiece explores sexual freedoms and their perils in both New York and Belgrade, using each city and set of practices and problems to help define the other.
Feb 12, 2007 — Vittorio De Sica’s seminal drama renounces “egoism” for collective concern, envisioning a cinema of impassioned social conscience.
Oct 4, 2004 — Robert Altman’s political satire, broadcast on HBO in mostly half-hour segments during the 1988 campaign season, is a sort of trompe l’oeil video chronicle of the constantly surprising presidential fight of an obscure Michigan Democratic congressmen.
Robert Rubsam writes fiction and nonfiction. His work has appeared in the New Yorker, the New York Times Magazine, the Baffler, the Atlantic, the Paris Review, Poetry, Vulture, and MUBI Notebook.
Robert Daniels is associate editor at RogerEbert.com and has written for the New York Times, the Los Angeles Times, Reverse Shot, and Screen Daily. He lives in Chicago.
Robert Greene is a filmmaker and writer. He has directed four features, including Actress (2014) and Fake It So Real (2012). His criticism and essays have appeared in Sight & Sound and Filmmaker Magazine, among other publications.
Robert O. Paxton is a professor emeritus of history at Columbia University. He has published several books, including Vichy France: Old Guard and New Order and The Anatomy of Fascism.
A rock critic since 1967, Robert Christgau grades and reviews albums for Noisey weekly in his Expert Witness column. His memoir, Going Into the City, was published in 2015.