The Criterion Collection
The award-winning actor highlights performances he admires, including John Hurt in The Elephant Man, Peter Sellers in Being There, and Catherine Keener in Being John Malkovich.
The actor, known for her roles in Transparent and Hustlers, pays tribute to the pioneering subjects of Paris Is Burning, muses about her dream of starring in a future remake of Thelma & Louise, and praises the sexy smoothness of...
The director of The Living End and The Doom Generation reminisces about writing papers on Bringing Up Baby in film school, defends one of David Lynch’s most polarizing masterpieces, and calls John Waters “the original godfather of everything.”
The director of One False Move and Devil in a Blue Dress talks about his love of Yasujiro Ozu, the exploration of crime in Pixote, the inspiration he took from Children of Paradise, and one of the greatest jazz films...
Three members of the team behind The Eight Mountains—directors Felix van Groeningen and Charlotte Vandermeersch and actor Alessandro Borghi—share their formative experiences with films like The Piano and The Fisher King and help one another discover new movies to fall...
The writer, director, and actor talks about a parallel between The 400 Blows and his popular show It’s Always Sunny in Philadelphia, the inspiration he has taken from Being There, and his excitement about exploring the work of Agnès Varda.
The director of Beau Is Afraid talks about one of the best experiences he’s had in a movie theater, the inspiration he’s taken from Karel Zeman, and the possibility that Cure is “the greatest movie ever made.”
The director of Drive expresses his adoration of Andrei Tarkovsky, calls Quadrophenia the epitome of rock and roll, and remembers asking Elia Kazan for filmmaking advice.