The Criterion Collection
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
The Daily
Oct 1, 2018 — Three documentaries at the NYFF explore routes to our current moment.
The Daily
Sep 12, 2018 — Both Sunset and Our Time have their champions and detractors.
Aug 26, 2018 — Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.
The Daily
Aug 8, 2018 — The selection of thirty films features highlights from Cannes, Locarno, Venice, and Toronto.
On the Channel
Jul 27, 2018 — “We make each other alive; it doesn’t make a difference if it hurts,” Bergman once wrote to Ullmann—and that emotional intensity gave fuel to their extraordinary forty-year collaboration.
Jul 17, 2018 — Without doubt, Steven Soderbergh’s sex, lies, and videotape struck a nerve when it was released in 1989. Astonishingly, it still does today. Among the most storied of American independent films, it debuted at the U.S. Film Festival (soon to be renamed the...
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
The Daily
Jun 22, 2018 — Cinephiles converge in Bologna for nine days of discovery and conversation.