The Criterion Collection
On the Channel
Oct 24, 2023 — This November, learn the art of the con from some of cinema’s craftiest swindlers, or saddle up alongside some of the most complex and determined female characters in the history of the western.
Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...
The Daily
Sep 29, 2023 — The week brings conversations with Hal Hartley, Todd Haynes, Christine Vachon, Pedro Costa, Wang Bing, and Rita Azevedo Gomes.
The Daily
Sep 15, 2023 — This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.
The Daily
Sep 8, 2023 — We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.
The Daily
Sep 8, 2023 — The festival launches new films by Wes Anderson, Richard Linklater, Harmony Korine, and Ibrahim Nash’at.
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
On the Channel
Aug 21, 2023 — Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...
Features
Aug 11, 2023 — Back in the early 1980s, people were still trying to figure hip-hop out.Now in its fiftieth year, this cultural movement built by DJs, rappers, break dancers, and graffiti writers began in New York, spreading from the South Bronx to the...
Features
Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...