Left Right Left

Aug 30, 2021 — Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.

Aug 20, 2021 — The author of Velvet Was the Night pays tribute to the shockingly stripped-down, dread-inducing use of silence in Jean-Pierre Melville’s masterful neonoir.

Aug 6, 2021 — Conversations with Agnès Godard and Brian De Palma and tributes to Chris Marker and Menelik Shabazz are among this week’s highlights.

Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jul 15, 2021 — The annual showcase of emerging talent wraps its sixtieth edition with the presentation of six awards.

Jul 14, 2021 — Cannes premieres new work from Mia Hansen-Løve, Wes Anderson, Nanni Moretti, Asghar Farhadi, and Kirill Serebrennikov.

Jun 30, 2021 — First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...

Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...

Jun 15, 2021 — These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...