I Still Believe

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Aug 23, 2022 — With one foot in naturalism and the other in dreams and poetry, Marcel Carné’s visually rousing drama is an ode to the daily vicissitudes of ordinary Parisians.

Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

May 16, 2022 — This month we’re reading about David Fincher, Sofia Coppola, Hong Sangsoo, and Werner Herzog.

Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.

Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.

Jan 31, 2022 — What have the critics been saying about this year’s winners?