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Good Time

Nov 20, 2006 It’s been a few weeks since Peter and I started this blog, and we are gratified that the response has been so positive. We debated for a while whether or not I should have hot-linked my email address last week,...

Aug 14, 2006 La collectionneuse is a strong, sensuously lush, deceptively slight film, a Riviera fruit with a bitter, uncompromising aftertaste. In retrospect, it is both classically Rohmeresque and atypical, as befits a film in which the director was still finding his way....

Mar 14, 2005 A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...

Nov 15, 2004 Short Cuts is an L.A. jazz rhapsody that represents Robert Altman at an all-time personal peak—and it came at just the right time in his career.

Hopscotch

Essays

Aug 19, 2002 Ronald Neame’s dramedy has the distinction of being the only “feel-good” realistic spy film ever made, walking a fine line between topicality and escapism.

May 12, 2001 Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.

Jun 3, 1991 Robert Montgomery stars in the Oscar-nominated role of Joe Pendleton, a lug of a boxer accidentally spirited off to heaven before his time, while Claude Rains is the title character whose job it is to find a way for Pendleton...

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Apr 9, 1990 Few motion pictures have ever matched the 1938 Warner Bros. production of The Adventures of Robin Hood for sheer entertainment. Even today this film ranks high on any list of all-time favorites. Warner Bros. first considered filming The Adventures of...

Red Beard

Essays

Nov 19, 1989 After finishing High and Low (1963), director Akira Kurosawa recalls, “I started looking around for something else to do and quite by accident picked up [the novel] Red Beard by Shugoro Yamamoto. At first I thought it would make a...

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