March Books

The Daily

Mar 16, 2020 This month we’re reading about Helen Scott, a liaison between Paris and Hollywood; Anna Karina’s novels; William Faulkner’s screenplays; and more.

Mar 3, 2020 American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...

Feb 25, 2020 In these times of Trumpidation, thirty years after its auspicious release, Paris Is Burning seems even more relevant than it did in early 1991, when I wrote the following for Black Film Review about Jennie Livingston’s phenomenal documentary on New...

Feb 11, 2020 The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...

Jan 27, 2020 Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.

My Kind of Clown

Features

Jan 20, 2020 In celebration of Federico Fellini’s 100th birthday, the director of The Farewell talks about the deeply moving final scene of Nights of Cabiria and its mixture of pain and hope.

Jan 20, 2020 Traveling exhibitions, retrospectives, and rereleases mark the centenary throughout the U.S. and Europe.

Dec 13, 2019 A few years ago, Juliette said in an interview that she was building her filmography in disorder. This stayed with me for several reasons, firstly because it demonstrates a deep and intimate understanding of the way in which life and...

Dec 11, 2019 One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...

Nov 19, 2019 In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...

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